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This epic historical fiction picture is the first of its kind to have a worldwide box office collection of more than 1000 INR crore, thanks to characters that are larger than life. SS Rajamouli lifted the benchmark with 5000 VFX shots utilised throughout the film, giving it a massive appeal. They hired the same special effects crew that worked on “Jurassic World” in Hollywood.
The kingdom of Mahishmati has come to life with Bahubali, thanks to 25 painters who created a storyboard with 15,000 sketches. In addition, this film holds the Guinness World Record for the biggest film poster. The film was originally filmed in Tamil and Telugu, but it has since been dubbed in Hindi, English, Malayalam, French, and Japanese, making it the first Indian film to do so.
Vetrimaaran has previously done tough films such as Visaaranai, which gained critical praise both in India and abroad. With Asuran, he once again demonstrates why he is one of the best filmmakers in Indian film. Only a few filmmakers can balance reality and commercial aspects in a popular picture, and he is one of them.
The picture includes a lot of dramatic sequences and a lot of strong emotions, supported by well complex writing. Asuran is elevated to a new level by the director’s well-defined characters, definite performances by actors, circumstances, and conflicts.
3. Dear Comrade
Dear Comrade sends a resounding message to society: everyone needs a comrade who will give them the strength and confidence to speak out against injustice. The cinematographer and music director have done this masterpiece honour.
The first half of the film focuses on the primary couple’s chemistry, while the second half tackles hot topics such as workplace sexual harassment.
Jersey is a good sports drama as well as a touching father-son storey. This isn’t a narrative about a hero; it’s about a father who doesn’t want to let his son down, a husband who wants to give his wife a glimmer of hope, and a cricketer who wants to fulfil his coach’s long-held goal.
No other filmmaker has crafted a sports picture with such ease and conviction in recent years, and Gowtham leaves an indelible impact with this tale of a late bloomer. Jersey humanises a sports celebrity and demonstrates how his misfortunes affect those closest to him. Rather than telling a storey about glory and accomplishment, Gowtham tells a storey about atonement and self-discovery.
Kaithi, directed by Lokesh Kanagaraj of Mangaram fame, is described as an action thriller. This Diwali, the film is set to collide with Vijay’s Bigil. It is well-known for his acting abilities in the part of a life-sentenced prisoner who eludes capture. The actor has clearly carried the part off in his own unique style, as evidenced by the vibrant trailer.
This is intriguing since many people will be intrigued to see how the crew pulled off the tale without a lot of songs and a female protagonist. The film’s plotline is reported to last roughly 48 hours, and it was shot over the course of sixty-two nights. Many people will go to the theatres because of these exciting features.
Ratchasan(2018) is a current film that gives a true psycho thriller experience. It’s still playing in Chennai theatres, so go see it if you want to enjoy a nerve-wracking thriller. This film has established a new standard in the genre and has exceeded all expectations in Tamil cinema.
The finest aspect of the film is its soundtrack. The BGM is responsible for 80% of the dread. The film’s sombre soundtrack was well suited to it. Gibran has once again shown to be the finest music director. Acting: All of the actors gave it their all.
7. Bangalore days
Bangalore Days is a 2014 Malayalam-language romantic comedy-drama film written and directed by Anjali Menon and co-produced by Anwar Rasheed and Sophia Paul under the banners of Anwar Rasheed Entertainments and Weekend Blockbusters. Nazriya Nazim, Nivin Pauly, Dulquer Salmaan, Fahadh Faasil, Parvathy Thiruvothu, Isha Talwar, and Nitin Mukesh star in the film.
The narrative centres around three cousins from Kerala who relocate to Bangalore, maintaining Menon’s habit of family-centred films. It garnered excellent reviews. Nivin Pauly and Nazriya Nazim won Best Actor and Best Actress, respectively, and Anjali Menon won Best Screenplay, while Parvathy Thiruvothu won Filmfare Award for Best Supporting Actress and Anjali Menon won Filmfare Award for Best Director. Bangalore Naatkal is a Tamil remake of the film.
8. Vada Chennai
The language is the greatest aspect about Vada Chennai. Throughout the film, the Tamil spoken by these folks, referred to as pakka local, adds authenticity to what they say.
Since its debut, Vada Chennai has been dubbed Vetrimaaran’s magnum masterpiece for a variety of reasons. Whether it’s a rumoured trilogy in the vein of Francis Ford Coppola’s The Godfather, a raw portrayal of life and people in North Chennai from the early 1980s to the early 2000s, Dhanush playing a carrom player, massive retro style settings from the 1980s, or an ensemble cast that includes director Dhanush, there’s something for everyone.
9. Vikram Vedha
Pushkar–Gayathri wrote and directed this Tamil-language neo-noir action thriller film, which was produced by S. Sashikanth under his Y NOT Studios brand. Madhavan, Vijay Sethupathi, Shraddha Srinath, Kathir, and Varalaxmi Sarathkumar appear in the film, which also features Prem, Achyuth Kumar, Hareesh Peradi, and Vivek Prasanna. Baital Pachisi, an Indian folktale, served as inspiration for this piece.
Certain parts of Vikram Vedha are more enjoyable than others, especially if you’re a fan of their Va Quarter Cutting, a well-written black comedy that bombed. Vedha’s brother Puli (Kathir), for example, demands him to give up everything.
The narrative of Vishwaroopam is fantastic. Technical features like as action and cinematography support it nicely. Sanu Varghese’s cinematography stands out among other technical areas, as he has done an outstanding job. He’s caught some of Afghanistan’s most unusual locations well. Kamal Hassan displays his versatility again again, whether as a Kathak dancer with feminine attributes or as a terrorist.
Shekhar Kapur makes a rare and enjoyable appearance on film. As Omar, the leader of an Afghan terrorist group, Rahul Bose is dignified and effective. Pooja Kumar, who plays the leading lady, is more than sufficient. Sanu The cinematography of John Varghese is outstanding. The editing by Mahesh Narayan is likewise flawless. The action sequence choreography deserves special note, since it is on par with Hollywood blockbusters